The last post on the algorithm topic for a while, maybe ever, but the theme has intrigued me and maybe I’ve learned something. After writing the last post and subsequently finding this article I thought I’d test Google stories further to see if I could work out what criteria might be applied to data and images by photographing a trip into Bristol and back on a bus with some Continue reading
’19 Moments’ – a Google Story, to be included in a future post.
All the features in the recent post (about the application of algorithms to popular online photo sites) have the potential to be ingredients in a story, so what algorithmic tricks might be available to spin your photos, your ‘moments’, into a yarn, automatically? For a start Google Stories can take the effort out of selecting and sequencing your holiday photos, locating them as ‘moments’ on a ‘fun timeline’ with a location …
Google+ chose to Auto Enhance this prosaic shot of potential firewood stacked in the garden.
Following on from recent posts about online software that will automatically arrange your photographs, I’ve been finding what else is going on out there, and discoveries include some odd features as well as the next stage of automation – story construction. This won’t be news for the tech savvy but there may be a few people reading this post who share the same low level of technical comprehension that I have and might find these topics entertaining, if not useful.
What intrigues me about this subject is that somewhere behind all the algorithms there must be teams of human beings involved in identifying and agreeing criteria on which the code is then based. I know little about how this process works (pleased to hear some explanations) and the only personal experience that has any relationship to this goes back to 2000 when I collaborated briefly with a computer science researcher who, for his PhD thesis was working in the field of metadata for image databases and was investigating classification, indexing and retrieval of images. Continue reading
As spring merged into summer this year I found I’d arranged an experimental, and for me, slightly uneasy, alliance between the natural and technical worlds – the outcome is a vernal-themed kind of digital patchwork quilt. Continue reading
iDocs ‘the interactive documentary genre’ is a topic I’ve been keeping an eye on for a while, in part because some of the people involved are previous colleagues but also from the little I knew of it I suspect it’s something I might have been doing myself for a long time – or at least I’ve strayed into the margins. After unavoidably missing iDocs events over the last year or so I finally caught up with a session at the recent Encounters Festival.